Another of the great visual landmarks of Lisbon is the Aqueduto das Águas Livres. This eye-popping stretch of stone arches and Italianesque architecture was first created in the middle of the 18th century. It was conceived to relieve Lisbon’s perpetual summertime water shortages, and was built to fit in seamlessly with the Gothic revivalism of the city proper. Be sure to check out the section of aqueduct which rolls directly over the rooftops of the Amoreiras district, and then make a beeline for the Water Museum, which chronicles the development of this masterpiece.
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What is it? Founded in 1911, this state-run museum reopened in 1994 after a hiatus following the Chiado fire. Why go? Notwithstanding the cool, modernist redesign by French architect Jean-Michel Wilmotte, the name - National Museum of Contemporary Art - is a little ambitious given the place's size and budget. Still, the rehang of a couple of years ago, involving 100 works from the permanent collection, offers an instructive overview of 150 years of Portuguese art - from romanticism through naturalism to neo-realism, surrealism and abstractionism - up to 1975. Don’t miss: Júlio Pomar’s “Gadanheiro” (mower) and Helena Almeida’s “Pintura Habitada” (inhabited painting). These are two of the most significant contemporary artists here, both recently deceased, and their work your is a must see. Also, the shop is excellent!
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